Every hack who called him either “The Great White Hope” or “The Great White Dope” is long gone and he’s still making music. ‘Album of the Year’ to somebody that no one’s ever even heard ofĪll I know is I wrote every single word of everything I ever murdered”Ĭan Marshall really have it both ways? Maybe someone who’s not a 20 year veteran of the music business would be a little suspect criticizing both himself AND his critics, but Mathers isn’t wrong about outlasting his friends and his foes alike. They nominate ’em, get ’em there, get a name to ’em, see the showĮvery parasite needs a host (haha) then give Revenge is the best medicine, increase the doseįrom least to most and then tell the Grammys to goįrom all the biggest artists like some leeches so If it seems contradictory that he wants to admit it wasn’t that good yet still defend it artistically, welcome to every recording artist ever - the line forms over there to the left.Īnd I’ll be here after you, make your run-in for youĭetractors, I might have to f–k Pitchfork with a corkscrew Even though Mathers has said repeatedly that “ Revival” wasn’t his best effort, tracks like “Fall” indicate he’s still a little sensitive about the flack some reviewers gave him for it.
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